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“My work is influenced by my background in graphic design, particularly poster, packaging and cover design,” he says. “I depict existing and imaginary structures in a minimal format with shape, color and texture.”

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Quadros paints in oil, starting with a medium tone for a background, and then quickly puts in lights and darks to find the contrast she is looking for. “I love the drama of high contrast and deep colors,” she says. She uses subtle blending and many layers of thin paint to build her final realistic images that shimmer with a wondrous translucence. She manages to capture that rare moment when the light is just perfect.

Jack painted in oils during college before pursuing a career in Industrial Design . Graduating from the Rhode Island School of Design with a BFA and a Bachelor of Industrial design Degrees, he went on to co-found Farm, a medical product development form in Hollis. NH.

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Jennifer Nixdorf McCalmont’s floral oil paintings depict the delicacy of nature’s flowers and the translucency of the petals.

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My central aim in painting is to create beautiful imagery. My creative process centers on a direct response to nature, in the tradition of Henry David Thoreau. I hope to evoke a response in the viewer to these experiences.

I never thought it would happen so quickly, but the quality of today's high-end digital photography has surpassed "traditional" silver-based images by every measure.

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Liane Whittum’s recent series of paintings are a reflection of her time spent traveling by car since moving to Hill New Hampshire.  Her work focuses on pastoral, industrial, and wild landscapes.

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Working in a representational style, Lisa strives to capture the beauty of light and atmosphere and their effects on her subjects. She has studied art in workshops at the Village Arts in Putney in Vermont and with distinguished representational painters Brian Blood, Clayton Beck, Peter Granucci, Frances Weston Hoyt, Richard Schmid, Dennis Sheehan and John C. Traynor. Lisa divides her time between outdoor landscape painting and studio work from her home in East Andover, New Hampshire. Lisa accepts private commissions for landscapes, house portraits, still life and pet portraits. Her commission policy is very liberal. No deposit is required and the customer only pays if satisfied.

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Marilyn's original oil paintings hang in a number of  Permanent Collections:  Tennessee Governor's Residence, Ledyard National Bank, St. George's Independent School, Brentwood Academy, Lipscomb Academy and Wesleyan School, among others.  Marilyn spent over a  dozen years participating in juried shows around the South and now in New England.

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Marissa was born and raised in Montana where a love for the outdoors instilled an emotional connection to the landscape. She currently lives in Charleston, SC  painting the marsh, children at the beach or tractors on a construction site. Her use of thick paint and bold brush strokes brings an emotional vitality into her work.  Marissa studied graphic design / fine art at Montana State University. She has studied under artists such as Bill Davidson and Karen Hewitt Hagan.  When all is said and done, the one sole condition that makes spiritual happiness  and preserves it is the absence of doubt”. - Mark Twain 

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Throughout my life I have had the benefit of living in different rural environments within New England. From the coastal landscapes of Massachusetts to the woods, mountains and farmlands of New Hampshire and Vermont I have experienced the differences in nature, geography and light in these varied environments. Childhood interests in architecture and archaeology have led me to consider the context of time-worn structures within the New England landscapes. I am fascinated on many levels when coming across a barn or seaside cottage.

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Artist's Statement I am interested in making the simple profound, always searching for that universal moment in the world around us. I draw inspiration for my landscape paintings from many places, it comes from the trees and fields near my home in rural Pennsylvania along the Delaware River as well as my frequent visits over the years to New England. The abstract marks that I make are used to interpret nature's tangle. Making visual sense and constructing order by structuring shape, form, tone, color and rhythm to create a palpable reality. I like to visit a motif over and over again. I am especially drawn to the winter landscape. It is a time when the earth loses its leafy covering and reveals it's true self. Covered in snow, the world reflects light and creates a spectrum of colors that are both dramatic and beautiful. The true subject in any of my paintings is light and how it defines and endlessly changes the landscape around us. For me, light is more than a visual tool, it is an emotional subject. It is through the manipulation of light – how it falls, changes, sculpts, colors and creates various moods on a subject – that intrigues and inspires me.

Rebecca Robinson:

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I used to take photographs to use for my landscape paintings back when I painted in oils on canvas. But when digital cameras became available, and photoshop and home printers were affordable, I became fascinated with the endless possibilities that existed in what you could do to bring out the best in a photograph. Every photograph has what I believe to be it's unique form and presentation that best displays it's capabilities.  Some are brilliantly colorful and want to show off their drama in a high gloss, giant photo, while others have the kind of contrast that lends it to being best as a black and white. Some shots are best presented as a photograph printed on matte, or gloss,  or metallic paper, and then matted with the matt and color that best compliments it. A photograph matted in white looks very different from one matted in black.

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I am a self-taught / outsider artist. My art is both thought provoking and humorous.

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For more than thirty years Tom’s simple path has been a life rich in music, art and travel, yielding a career filled with nine studio albums, numerous songwriting credits, and collaborations with other artists such as Willy Porter, Joyce Andersen and David Wilcox.

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"For me, it was a love of detail. Every time I drew something as a kid I tried to get every one just right."

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